Thanks to Lyly for finding these small comments from Terry regarding Season 5. Nothing very spoilery but with over 3 months to wait for our first Season 5 episode every little helps.
Q) HEY TERRY!!! so i was watching the season fanally for season 4 and i about wet myself when i saw you in the coffin. whats gonna happen next
A) You will be suitably frustrated and amazed. Enjoy season 5.
Q) how is the season 5 filming going so far ? are you enjoying this season more than the others as the story continues to progress?do you think Locke fans will be happy with what John Locke has been doing to date on the island(or off it !)
A) Season 5 is progressing well.........and I think Locke fans will be...............stunned.
Source: DarkUFO
Showing posts with label Terry O' Quinn. Show all posts
Showing posts with label Terry O' Quinn. Show all posts
Wednesday, October 22, 2008
Saturday, June 21, 2008
"I only have to keep track of John Locke..."
During the Festival Großes Fernsehen, actor Terry O'Quinn came to Cologne in order to promote the German premiere of „Lost“'s fourth season on new premium cabler FOX Channel. Christian Junklewitz and Dominik Ahrens spoke with him for Serienjunkies. Right at the start of the interview, a very calm and kind O'Quinn cleared the rumour (spread, e.g., on wikipedia) that he has ever been a bodyguard: „If I was gonna start some kind of rumor, it would be one that I wouldn't have to back up...“
How do you keep up with everything that is going on on «Lost»? There are so many places on the island, so many time frames. How do you cope?
I only have to keep track of John Locke. I only have to know what he knows. In fact, the more difficult challenge is not paying attention to the things I am not supposed to know. John Locke doesn't have to keep track of everything, because he only knows what he knows.
But you have to keep track where on the time line all these things are supposed to happen to John Locke?
Yes, but in Locke's case, so far, he has only had the past and the present. As far as I know. Nobody has told me anything else. Both of those things are very clear to me and they are very clear to him. So, it's really not a challenge to me. It's more complicated for the fans of „Lost“.
How far in advance do you know what is going to happen to John? And I mean this more in terms of character development rather than plot development.
I don't know far at all. We are about to start shooting season five in the States, and I don't know how that begins. At the beginning of season four, we may have gotten the script two weeks before we began to shoot. By the end of the season, we got the script the day before we started to shoot. So, we don't know far in advance. The writers are very secretive, even with us. I would prefer they didn't tell me things I don't need to know because these are viewers' secrets I have to protect. I don't want them. It's not necessary.
So, the writers don't even tell you: We want to take John in this or that direction? You only get your screenplay, and that's it?
That's pretty much it. What I learned is this: Don't ask. Because they can't tell you. If I had a cast of twenty-some people I wouldn't tell any of them anything, ANYTHING.
There is a rumor that your colleague Matthew Fox is the only cast member who knows what the solution of the mystery in „Lost will be? Is that true?“
I have no idea. I wouldn't be surprised if he thinks he does. If he came and told me „I know what's gonna happen“, I would say „Ok, what?“, and then he would say „Well, I can't tell you“, and I'd say „Well, I don't believe you.“
(laughter)
Source: serienjunkies.de
How do you keep up with everything that is going on on «Lost»? There are so many places on the island, so many time frames. How do you cope?
I only have to keep track of John Locke. I only have to know what he knows. In fact, the more difficult challenge is not paying attention to the things I am not supposed to know. John Locke doesn't have to keep track of everything, because he only knows what he knows.
But you have to keep track where on the time line all these things are supposed to happen to John Locke?
Yes, but in Locke's case, so far, he has only had the past and the present. As far as I know. Nobody has told me anything else. Both of those things are very clear to me and they are very clear to him. So, it's really not a challenge to me. It's more complicated for the fans of „Lost“.
How far in advance do you know what is going to happen to John? And I mean this more in terms of character development rather than plot development.
I don't know far at all. We are about to start shooting season five in the States, and I don't know how that begins. At the beginning of season four, we may have gotten the script two weeks before we began to shoot. By the end of the season, we got the script the day before we started to shoot. So, we don't know far in advance. The writers are very secretive, even with us. I would prefer they didn't tell me things I don't need to know because these are viewers' secrets I have to protect. I don't want them. It's not necessary.
So, the writers don't even tell you: We want to take John in this or that direction? You only get your screenplay, and that's it?
That's pretty much it. What I learned is this: Don't ask. Because they can't tell you. If I had a cast of twenty-some people I wouldn't tell any of them anything, ANYTHING.
There is a rumor that your colleague Matthew Fox is the only cast member who knows what the solution of the mystery in „Lost will be? Is that true?“
I have no idea. I wouldn't be surprised if he thinks he does. If he came and told me „I know what's gonna happen“, I would say „Ok, what?“, and then he would say „Well, I can't tell you“, and I'd say „Well, I don't believe you.“
(laughter)
Source: serienjunkies.de
Tuesday, April 22, 2008
The 'Dirt' on LOST
Working on a hit television show sounds glamorous. Until you actually do it. On this day in a jungle in Heeia, on Oahu's Windward side, slate-colored skies threaten rain. On the set -- a brief yet bumpy off-road drive from base camp, where trailers and a rudimentary buffet are stationed -- the crew erects two canopies. But humans don't warrant shelter. Cameras and monitors do. A communal can of bug spray and canvas chairs provide the only respite from mud, wild foliage and aggressive insects.
In those chairs sit actors Michael Emerson, Terry O'Quinn and Jorge Garcia, dutifully subjecting themselves to makeup artists who proceed to worsen their appearance. An artist dips a brush into a painter's palette to add more purple blotches under Emerson's eyes. Another tends to O'Quinn's scar. Garcia tilts his head to accommodate a hair specialist who fiddles with his long locks. Next up? Faux dirt on arms and neck.
It's all part of the much-anticipated return of "Lost" on Thursday, which signals the beginning of what the crew calls "Season 4.5." The episode features Michael Emerson (Ben Linus) in a pivotal role involving strenuous work (horses! fighting!) that launches the furious ride to the May 29 finale.
Michael Emerson, shows that 'Lost' life is not so glamorous.
The writers strike interrupted what began as a stellar year, with the first eight episodes landing solidly in Nielsen's Top 10. Everyone returned to work last month, and a mighty scramble to finish five of the eight remaining episodes ensued (subsequent seasons will compensate with extra episodes). Everything must be completed before the hiatus begins next month. So multiple units shoot scenes from several episodes in various locations simultaneously, not necessarily in chronological order, leaving the actors moderately confused about continuity and their characters' state of mind at any given moment.
During the alfresco makeup session, Emerson consults director Paul Edwards about Ben. The word "sociopath" floats in the air. One moment Ben is charging about, shouting orders. The next he mopes and whines. "I'm just curious about the change of character," says Emerson. Next to him, Terry O'Quinn plants a yellow straw hat on his head between scenes, strums his ukulele and sings in a soft, melodic voice, letting his large hunting knife dangle at his side.
After a brief lunch break at 4 p.m., the night session begins. Along the way, there's a campfire to monitor, and someone with arms the size of a cyclist's thighs must move rocks. Nearby, a crew member practices his steady cam shots by running alongside anyone who appears in his path. Another tinkers with a fake shotgun.
The actors don't sit for long before it's time to do it all again. Repetitive performances must stay fresh. Several rehearsals take place before any film is shot. Each scene finishes with directions to the camera operators about extreme close-ups and angles, as well as discussion among the actors about the mood or timing of lines and movements. Before the director shouts "Action!" trucks, vans, cranes and dozens of people must fall silent. And they do this again and again, reminding any observer just how many hours of work necessitate every 30 seconds of compelling television drama.
In those chairs sit actors Michael Emerson, Terry O'Quinn and Jorge Garcia, dutifully subjecting themselves to makeup artists who proceed to worsen their appearance. An artist dips a brush into a painter's palette to add more purple blotches under Emerson's eyes. Another tends to O'Quinn's scar. Garcia tilts his head to accommodate a hair specialist who fiddles with his long locks. Next up? Faux dirt on arms and neck.
It's all part of the much-anticipated return of "Lost" on Thursday, which signals the beginning of what the crew calls "Season 4.5." The episode features Michael Emerson (Ben Linus) in a pivotal role involving strenuous work (horses! fighting!) that launches the furious ride to the May 29 finale.
Michael Emerson, shows that 'Lost' life is not so glamorous.
The writers strike interrupted what began as a stellar year, with the first eight episodes landing solidly in Nielsen's Top 10. Everyone returned to work last month, and a mighty scramble to finish five of the eight remaining episodes ensued (subsequent seasons will compensate with extra episodes). Everything must be completed before the hiatus begins next month. So multiple units shoot scenes from several episodes in various locations simultaneously, not necessarily in chronological order, leaving the actors moderately confused about continuity and their characters' state of mind at any given moment.
During the alfresco makeup session, Emerson consults director Paul Edwards about Ben. The word "sociopath" floats in the air. One moment Ben is charging about, shouting orders. The next he mopes and whines. "I'm just curious about the change of character," says Emerson. Next to him, Terry O'Quinn plants a yellow straw hat on his head between scenes, strums his ukulele and sings in a soft, melodic voice, letting his large hunting knife dangle at his side.
After a brief lunch break at 4 p.m., the night session begins. Along the way, there's a campfire to monitor, and someone with arms the size of a cyclist's thighs must move rocks. Nearby, a crew member practices his steady cam shots by running alongside anyone who appears in his path. Another tinkers with a fake shotgun.
The actors don't sit for long before it's time to do it all again. Repetitive performances must stay fresh. Several rehearsals take place before any film is shot. Each scene finishes with directions to the camera operators about extreme close-ups and angles, as well as discussion among the actors about the mood or timing of lines and movements. Before the director shouts "Action!" trucks, vans, cranes and dozens of people must fall silent. And they do this again and again, reminding any observer just how many hours of work necessitate every 30 seconds of compelling television drama.
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